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JESS PINCHES FINE ART

Tangled lines, tangled lives

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CANVASES

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IT'S A FUNERAL FOR A FEELING, LIFE I FORGET TO LIVE (DON'T CALL ME UP AND LIE ABOUT THE FUCKS THAT YOU DON'T GIVE)

I HATE THE ENDING MYSELF, BUT IT STARTED WITH AN ALRIGHT SCENE

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I THINK WITH MY HEART AND LOVE WITH MY HEAD, DO YOU SEE THE PROBLEM HERE, YOU RIP ME TO SHREDS; I THINK WITH MY HEART, YOU FUCK WITH MY HEAD, DO YOU SEE THE PROBLEM HERE YOU RIP ME TO SHREDS

CHERRY RED (YOU KNOW I'D DIE FOR YOU)

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BRIGHT LIGHTS WON'T KILL ME NOW

EVER FADING YOUTH

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I Want You To See Me Wen I'm See-Through

I WANT YOU TO SEE ME WHEN I'M SEE-THROUGH

NOBODY WANTS TO HEAR YOU CRY ABOUT YOUR BREAKUPS SO DROP IT

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IF I EVER LEAVE I COULD LEARN TO MISS YOU....BUT SENTIMENTAL BOY IS MY NOM DE PLUME

FOR EVERY FAILING SUN

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IF YOU EVER SAY NEVER TOO LATE....

THREW CAUTION TO THE WIND BUT I'VE GOT A LOUSY ARM

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FRAMES

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SURRENDER THE NIGHT

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ABSTRACT

In my works, I create layers of automatic drawings in mixed media whilst listening to music. The drawings appear tangled and complex - as is each of our lives; they involve struggle but also possess an energy and joy because being human is not one thing or another but a combination of many things.


The layers of each drawing work as a metaphor -  both on a personal level to suggest the many dimensions to myself as well as on a larger scale representing the numerous levels on which life occurs. Like our human lives, many of the drawings overlap, some obscure those beneath - yet others reveal them. I work with mixed media, reflecting these interactions in the ways the media react with each other.


I feel music is deeply rooted in my identity and how I express myself and I value it as a bridge to build connections with others. In my work, I use music as an enhancer for my emotions, each work is unique because although we experience things multiple times I believe we never experience them in exactly the same way. Each drawing is a snapshot in time expressing the abstract concepts of music and emotion.

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FABRIC PIECES

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A SLIDE HEADFIRST INTO COOPERSTOWN ON A BAD BET

Automatic drawings to music


Coloured pencil, markers, gel pens, acrylic paint, inks and housepaint on canvas

Home: Projects

CONVENTIONAL WEAPONS TRIPTYCH

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THE WORLD IS UGLY

Automatic drawings to music.
Acrylic, emulsion, inks and marker pen on coated chipboard.

BURN BRIGHT

Automatic drawings to music
Acrylic, emulsion, inks and marker pen on coated chipboard

SURRENDER THE NIGHT

Automatic drawings to music.
Acrylic, emulsion, inks and marker pen on coated chipboard.

Home: Collections

CONTACT ME

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